I use translucent resin as a primary medium in my work to 'sample' moments in time and create visceral and oftentimes anthropological investigations of human experience including emotion, thought and memory in a type of conceptual freeze-framing. I manipulate the veiled translucency of the resin and oftentimes incorporate cellular drawings to foster surprise, mystery, and wonder and pique the viewers' discovery of new realities, bringing that which is often overlooked or under the surface to the forefront.
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